Austrian Audio Mi-Creator unboxing.

The Austrian Audio MiCreator is a new type of creative tool. Equal parts high-quality condenser microphone and simple audio interface with USB-C ® connectivity, MiCreator gives you the flexibility to create what you want—how you want. Just plug in and start recording in top-notch audio quality instantly. Or expand your setup using MiCreator’s additional input to achieve stereo recordings, record an additional sound source, and more. And whether you’re recording at home or on the go, you can create with confidence thanks to MiCreator’s ultra-durable metal housing. Catch the video version here: https://youtu.be/vJBR0tBBUaw AP got his hands on one and we figured we'd share his early Christmas day unboxing it as our first video episode... A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it’s an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson    Summary In this episode of Pro Audio Suite, our hosts George Wittam, Robert Marshall, Darren Robert Robertson, and Andrew Peters unbox Austrian Audio's new Creator Studio. They humorously discuss their first impressions, visual appeal, and play around with its innovative features. The product, a comprehensive home recording solution, impresses them with its sleek design, changeable magnetic panels, dual microphone system for stereo recording, and high audio quality. Furthermore, they touch on Austrian Audio's partnership with Passport VR, presenting the Pro Audio Suite version of the headset that boasts stunning sound quality. The episode is packed with enjoyable conversation, honest opinions, and valuable insights into the latest in audio technology. Don't forget to subscribe and join their Facebook group. #AustrianAudioUnboxing #ProAudioSuitePodcast #HomeRecordingSetup    Timestamps (00:00:00) Introduction (00:00:52) New Audio Tech from Austria (00:01:22) Austrian Audio's Home Recording Innovation (00:03:59) Microphone Customization (00:06:30) Mic Functionalities (00:10:25) Austrian Audio's High-Quality Mic (00:14:58) Passport Vo Mic Modes (00:19:24) Praise for Austrian Audio    Transcript Speaker A: We have something special inside this box which we're about to reveal. Stick around, 54321.,Speaker B: Let's go.,Speaker A: Welcome.,Speaker C: Hi. Hi. Hello, everyone, to the Pro Audio Suite.,: These guys are professional.,Speaker B: They're motivated with tech. To the vo stars George Wittam, founder of Source Element Robert Marshall, international audio engineer Darren Robert Robertson and global voice Andrew Peters. Thanks to Tribooth, Austrian Audio making passion heard source elements george the tech Wittam and Robbo and AP's, international demo. To find out more about us, check theproaudiosuite.com line up, Leonard.,Speaker C: Here we go.,Speaker A: And welcome to another Pro Audio suite, this time on camera, thanks to Tributh. Don't forget the code. Trip a P 200, $200 off your tribooth and Austrian Audio making passion heard. Now we're about to divulge something new from Austria.,: Cracking into a box.,: It's not even Christmas yet.,Speaker A: I know. This is it.,: I can hear the bells.,Speaker A: Well, you see, I have my Santa beard on.,: He's got the ho ho ho beard. I'm not talking about the white beard.,Speaker A: At least he gets three hoes every year. I'm lucky to get one.,: What's in the box?,Speaker A: What's in the box?,: Come on, show us the box first. What's it say on the front, Mr. Peters?,Speaker A: It says my Creator Studio.,: Nice. This is the Austrian audio. This is the new now, I've actually.,Speaker A: Had a play with this. And you've actually heard this robber? You heard what it sounded like?,: I have.,Speaker A: And so did you guys hear did.,: You get a blind listen?,Speaker C: Yes.,: Like, you did have a blind listen.,: It was one of those conversations. What mic am I on?,: Oh, I love that.,: I love and Robert was on some crappy audio technical thing.,Speaker A: But then he says to me I said, what am I? And he goes, Is that a microtech Gaffel? I'm like, no, it's a USB mic.,: He's like, holy shit. Not yeah.,Speaker A: So, anyway, so it comes with USBC comes with the does it come with two cables? Yeah, it comes with the TRS and jack. And that's for what is that? Well, that's a di on the end of that cable. That's just an unbalanced jack and a TRRS. So if you want to di into the microphone, you can use that. So di your guitar.,: So, wait a minute.,: Is that an output cable or an input?,Speaker A: An input cable.,: An input cable, yeah. We should actually mention that this is sort of Austrian Audio's nod to home recording, sort of, isn't it, really?,Speaker A: Absolutely.,: So it's not just a microphone? No, it's a microphone and an audio interface.,Speaker C: Correct. Yeah.,Speaker A: So, anyway, so you got that so unbalanced into a TRRS, into the back of the mic.,: Your normal USB, that quarter inch unbalanced, would go into a guitar or a keyboard or some instrument. Got it.,Speaker A: It's really cool. They also chuck in this, which I thought was really good because when you look at the bottom of the mic, you know when they got the small I don't know what it is in Imperial, but when you got the smaller thread in the mic, I thought, oh, that's going to be great. Trying to get that onto a stand. Standard mic stand.,: Call it quarter 20. Is that the camera standard in the US? Yeah.,Speaker A: Well, it's not actually. Is it camera? I'm not sure. Anyway.,: Is it really small or like the middle?,Speaker A: No, it's kind of like yeah, that's quarter 20. But they chuck that in an adapter, which I thought was really cool, because.,: When I looked at it so it goes from quarter 20 to five eight, which is the US imperial, whatever you call it. Microphone stand.,Speaker A: We call it Imperial, but I don't know whether imperial. Imperial.,: Yeah. We are the Imperialists. I always forget that.,Speaker A: Exactly. Now, inside we're being reminded that more.,: But that's another story. Anyway. Yeah. So what else is in that?,Speaker A: Well, this is kind of cool. You get the two magnetic panels, so if you want to change it from black to red, you can.,: What do they do?,Speaker A: Sorry?,: What did they change?,Speaker A: I'll show you. I'll show you in a moment when I get the mic out. Also your standard, like that thing you.,: Never read, that thing you throw in the bin.,Speaker A: If all else goes wrong, then maybe you'll look at that at some point.,: I have a huge bin full. You know what I use those for? It's the archive of all the crap I have bought in the last ten years in one box.,Speaker A: Well, I can tell you what these would have been used for years ago. Would have been perfect filters, but business cards, not doing the good old days. Anyway, you can't put those in your pool filter.,: Don't be silly.,Speaker A: I wouldn't be surprised what's in there. So here it is. That's the Austrian audio. My creator. And I can tell you, you would say it has some heft nice. Okay, but if you don't like the.,: Black keeps it simple, doesn't it?,Speaker C: Yeah.,Speaker A: If you don't like the black, you just go, now it's red.,: Nice. You could do they think of everything, don't they?,Speaker A: Same on the back. Chuck that on there. That one doesn't want to go on. Oh, yeah, it's on.,: See, that would go well in your booth with the red lights.,Speaker C: AP.,Speaker A: It's just perfect. It's my colors in here. Red and black.,: That's pretty cute.,Speaker A: So that's cool. But this microphone now, I don't know technically how it all works, but it's got on the front, it's got high, low and mute. Now, I do know the mute is when you're either using the other microphone that you can attach to this, or if you're using a di oh, I see what I did wrong. You take those ones off.,: That's why I didn't oh, I see, the replaceable guy.,Speaker C: Yeah.,Speaker A: But I think that this mute is for if you're running a di. I think that's how it works.,: Okay, so that mutes the di.,Speaker A: Is that what you I think it allows you to monitor, like, if you use something in the back here, you've got the in out and you've got the out. Now the out from here would either be your headphones or you run this other lead. In fact, that's the point. Where is the other lead? I'm sure there's supposed to be another one that goes out of here and into the other microphone. If you have the two and speaking.,: That will be with the other microphone, I would presume.,Speaker A: I'm guessing it makes sense. I've not opened this box, so I don't know.,: So it's not one box, it's two.,Speaker A: Two boxes.,: It's a double unboxing.,Speaker A: Double unboxing. Top that. Oh, yeah.,: There you go.,: Unboxings for the price.,Speaker A: Yeah, the leads are in there. Okay, that makes sense. So let me just get this one out.,: So what's the idea here? Do we have a two mic system?,Speaker A: Yeah. So you can run it as a stereo mic. So you can say you want to do like an acoustic guitar or something and sing. You can actually one mic on or you could do two mics on the guitar. If you're just doing that, like, you've.,: Got a vocal ensemble that you need to record. You can do it in stereo. You can put one left and one.,Speaker A: Right, but also, like, even for what we mean if you're doing interviews yeah. So then you have the if I.,: Was doing, like once I recorded a podcast down at Bondi Beach, so I can imagine I would have lapel mics on the guests and then have one of those on a couple of stands just recording Ambience in the background, even.,Speaker C: Yeah.,Speaker A: So that's the second part of the.,: Stereo, which okay, so that's the primary and secondary.,Speaker A: Yeah.,: Mic. That's the secondary.,Speaker A: So it has a link and an out. So if you're connecting the first mic to this one, you go into the link with the TRRS, whatever it is in there, and then your out becomes your headphone out. So it actually bypasses the headphone out of the main mic and then takes it into this one.,: Whoa, that's pretty clever.,: That's cool.,Speaker A: Yes, that's the other one. This is if you get the studio set, you don't have to buy them both.,: Yeah. This is the full studio set. Or you can get just the main mic as a single.,Speaker A: But I can tell you the quality and for the money, I don't know what they retail it. I haven't looked.,: I shall check.,Speaker A: But the quality of them is like it's really weighty.,: Yeah.,Speaker A: Now I don't know whether they just.,: Yeah, well, what I heard of it, it sounds brilliant. I mean, we'll obviously do a test in another episode, but from what I heard of it for 30 seconds or so earlier today, it sounds awesome.,Speaker C: Yeah.,Speaker A: So you get another couple of cables in here. What are they? Okay. Oh, you got an adapter. Okay. So you can run that into maybe a mini jack into that, and then split that into the back of the other one.,: That could be a lavalier.,Speaker A: That could be for the lav.,Speaker C: Yeah.,: So the whole system set, which is what you have there, apparently, which has the master mic, the secondary mic, the color change panels, 1232 audio cables and a USB. And I'm seeing something else you didn't mention. It looks like there's a stereo bar. Did that come with your kit, too?,Speaker A: No, I haven't seen one.,: Okay. Because on the website, it actually also has a stereo bar. Hang up this whole thing on there, maybe because you have a preview package. Yeah, they didn't have the full retail kit, but the retail kit also has a nice zippered case. Everything goes into and a stereo bar, too.,Speaker A: Okay, that makes sense.,: And that whole thing is 299 us.,Speaker A: That's crazy.,: It's a good price, isn't it?,Speaker A: For what you get, honestly, and what it sounds like. I mean, look, I didn't listen to it until about half an hour ago when we set them up, and I just was talking to Robbo and Robert and to me, it sounded really good.,: Well, for me, the sound of it is on par with the 16 that I'm on, to be honest. It sounds brilliant.,Speaker A: Yeah, it does, actually, because I was thinking, like, even for what voiceover guys do when you're on the road, just chuck that in your bag. Yeah.,: Nothing in what you were doing when you were talking on that before when I was listening, there's nothing in there that you would make you go, there's no way I'm using that for a voiceover.,Speaker A: And it also doesn't need a shock mount because I don't know where you can see this, but it's actually suspended in rubber.,: Wow. Yeah. See, that's cool.,Speaker C: Yeah.,: They suspended the capsule. That's right.,Speaker A: And you can also it's really nice, swivel the capsule to whatever you want to do.,: I know they're a sponsor of the show and people are going to go, yeah, you're only saying that because but I'm sorry, I'd say this anyway. These Austrian audio guys, they're so on the ball with this stuff.,Speaker A: I agree.,: When companies that make high quality products step into this creator space, they are now competing on price. Right. So they have to cut corners. But the thing is that the miniaturization of electronics, the quality of the capsules and the electronics are so good that they can cut all those corners, add more features and still have sound quality that rivals their studio mic. And that's the craziest part of all, because I can't wait to actually hear it and test it out.,: Yeah, like I said, I was listening on Source Connect now when I was listening to Andrew, and he'd only just thrown it up. So it probably wasn't in perfect position either for him.,Speaker A: Terrible, actually.,: And it sounded brilliant. I mean, it sounded like this. Yeah.,: I decided, in solidarity, to throw I had my other mic up. Of course, I just brought up the Austrian audio. I felt left out, but yeah. So what do you perceive you might find this good for? Do you think you could do some take it on the road with you, or what do you think you might do with it?,Speaker A: Absolutely. I mean, that could be well, that's it.,: That fits in your Vespa, right?,Speaker A: Does fit in the vespa. You're reading my mind, George. You're reading my mind as you, um san Diego nice guys.,: You know, you've just come up with a new test for the show now, every time we test new gear, is it is it Vesper worthy?,Speaker A: It is vesper worthy. I mean, you think about, like, I chuck the road case on the Vespa when I go on these tours, and this would be perfect because I don't have to worry about an interface. There's your microphone, everything. Just one cable and a mic stand. Boom.,Speaker C: Yeah.,: So little nitpicky stuff. And maybe we won't know these answers until you've used it for a while. Does it have a no latency monitor? So for headphone use, you can hear yourself.,Speaker A: There was no latency when I was monitoring at the back. The other thing that was really interesting.,: You plug your headphones directly into the mic.,Speaker C: Yeah.,: And then to hear yourself, is that the knob? Is that what that big knob?,Speaker A: Two stage knob. I don't know what else it does, but when I had it and it.,: Was showing, you click on the knob and it changes modes.,Speaker C: Yeah.,: The other one might be gain from the other mic coming.,Speaker A: I think one is gain and one is monitoring.,: Is there a gain knob on that second mic?,Speaker A: No.,: So I wonder whether that's it coming in there.,Speaker C: Yeah.,Speaker A: So it would be this will be operating everything, I'm guessing.,: Yeah.,Speaker A: But the other thing I thought was really interesting, I don't know what the gain is on this microphone itself, but the headphone gain was really loud, right?,: Oh, really? Yeah. Did you get good levels in your can in your head?,Speaker A: I had to turn it down. It was too hot coming from you.,: Yeah.,Speaker A: But yeah, it was very loud.,: Wow. Cool.,Speaker A: Yeah.,: I'm really looking forward to you doing a test with that now. I really want to hear it, put it through its paces.,Speaker A: Well, it'd be interesting to see what it sounds like in a not so well, in fact, we heard it in a not great environment because I was sitting right in front of the computer screens. But, I mean, if you're on the road and you're doing the so called pillow fort or something, which is not ideal, particularly for a microphone like this, which is. Would that be a large diaphragm? I guess it is, yeah.,: I've been looking through the manual documents, and there's a document called my Creator Faceplate Customizing.,Speaker C: Yeah.,: Wow.,Speaker A: So that means you can have your own design. Yes.,: I saw that they give you EPS, Adobe Illustrator files, PDF, and so you can literally have your own Faceplate design to your spec.,: And they will make it for you, I guess.,: Yeah. They give you all the ability to customize.,Speaker A: You've given me an idea.,: I know what you're going to say. I'm with you.,Speaker A: What am I going to say? Vespa?,: You say, I can see us making.,Speaker A: Our own well, actually, I was thinking about me then, but yeah, you're right. Well, they're both thinking about us and me and whatever. That's not a bad idea, actually.,Speaker C: Yeah.,Speaker A: Maybe we should talk to Austrian Audio about the Pro Audio suite version of.,: The that's right, absolutely. To team up with the sentence Passport VR.,Speaker A: Well, you don't need it because it's got an interface in it.,: It is a two for one, isn't it? So that knobs functionality is twofold, as you discovered. One mode, it's gain for the mic, and the other mode it's headphone.,Speaker A: Yeah.,: So I wonder what controls the gain from the secondary mic then.,Speaker A: I wonder where that I think that probably does as well. Let me go back to the other mic.,: The switch on the front, if there is a three way switch for the microphone gain, if this is at the lowest mute position, the visible red marking on the switch signals that the mic is muted on the input side. This is a so called hardware mute. Regardless of any other mute in any other program, your mic is muted, which is very important. That's why in the Passport Vo, we have a hardware mute button.,: The swear button. That's right.,: Yes, exactly. So it has the swear button in the form of that little switch. However, this only applies to the signal from the internal microphone. Anything connected to the other input jack is not needed.,: From the back of the room, he's still going to hear get.,Speaker A: Yeah.,: And then it has a low and a high gain mode. So I suppose you have to experiment and figure out which of those positions you want to use.,Speaker A: I think I had it on high gain, but I would imagine if it's a super loud source, like in front of a guitar cab or something, and you're going to pull it down to low.,: Yeah. Very cool.,Speaker A: But it's great. And it's hard to actually I know, watching on camera and stuff, but it's hard to explain how solid this thing feels.,: Well, you can see it. It looks pretty solid.,Speaker C: Yeah.,: So I'm guessing it's it must have a steel chassis.,Speaker C: Yeah.,: So the outer the ring around the mic and the ring a ring around the chassis and the ring around the mic, I suppose are probably steel as opposed to aluminum.,Speaker A: Oh, yeah.,: Imagine how flimsy it would be if it was just plastic, too.,Speaker A: It's funny because the panels behind those fake panels that you can change is actually plastic behind there, but the actual front, the surround, all this kind of stuff, and all this is metal.,: Nice. You wouldn't want to drop it if it was only plastic or something. Flimsy absolutely. You'd be in trouble.,: So it also does have an internal pop shield over that cap.,Speaker C: Yeah.,: And it says if that's not sufficient because you have poor mic technique doesn't say that, but they have the OCP eight, which is an Austrian audio pop screen that you can add on to.,Speaker A: Oh, so it fits over the top of this cage here.,: I guess. So they don't show a picture, but it's in the manual.,Speaker A: I'm curious. I would like to know what that capsule is in there, though.,: Yeah, well, you never really know because let's say it's the same as the OC 16 capsule. Theoretically, it wouldn't be a great thing for them, maybe to advertise that, because then you're saying, well, you can get that capsule in a $200 mic. Yeah, $400 mic. But there are different mics for different use cases.,Speaker A: But I think the OC 16 has the same capsule as the OC 18. And the eight one eight, it's just the electronics and the assembly are different. The electronics, they've trimmed quite a bit of that down. And also the OC 16 is made in China.,: And this is also probably made in China.,Speaker A: Yeah, definitely.,: Kit yeah, right. Again, it's price point. They're having to create product at a creator competitive price point, which is fair enough. Think about who they're competing against. They're competing against the likes of the Yeti, the Blue Yeti, and that's $100 to $200, depending on the model and stuff. So, yeah, that's what they got to do. But I have no doubt that if they're going to put their name to something like this, it's going to have the sound quality you expect. Yeah, we'll do some more testing.,Speaker A: Sounded great. I mean, I think it's fantastic. I'll muck around with it more and we'll do an audio podcast using it, so anyone watching this can listen and check it out. But, yeah, I reckon it sounds good. Austrian Audio, you've done it again.,: Win a winner.,Speaker A: Winner, winner, chicken dinner. Which makes me hungry.,Speaker C: Well, that was fun.,: Is it over?,Speaker B: The Pro Audio suite with thanks to Triboof and Austrian audio recorded using Source Connect edited by Andrew Peters and mixed by Voodoo Radio Imaging with tech support from George the Tech Wittam don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say G'day. Drop us a note at our website. Theproaudiosuite.com.