The Pro Audio Suite

This week on The Pro Audio Suite, we pit two Austrian Audio mics head-to-head: the compact CC8 pencil mic versus the classic OC18 large diaphragm condenser — both run through the PASport VO interface. The results? Surprisingly close. AP takes the CC8 for a spin in his booth and on the road, while George and Robert weig

When Should You Process Your Audio—and When Should You Leave It Clean? Description: This week on The Pro Audio Suite, we’re tackling a topic that trips up a lot of voice talent: processed voice over. What does “processing” really mean when a client asks for it? Should you send your files squeaky clean, lightly polished

This week, the team tackles the most common myths about the Tri-Booth – the portable recording solution trusted by countless voice actors and audio pros. From misconceptions about its sound isolation, to confusion about setup and portability, we dig into what’s real and what’s just internet chatter. Andrew shares his f

Ever watched Spider-Man swinging across the city and heard crowds gasping, yelling, or whispering in the background? Those voices don’t record themselves—loopers do that. In this episode, we meet voice actors who specialize in looping and learn how they bring background scenes to life. They share stories from the studi

This week on The Pro Audio Suite, we're diving deep into a topic that sparks endless debate (and confusion) in VO forums everywhere: the noise floor. What does "-74 dB" even mean if you don't know how it was measured? And why are voice actors obsessing over numbers that might not matter? Join AP, Robbo, George The Tech

This week, it's all about the front end — microphones for voiceover. George recently ran a live webinar comparing a wide range of mics from the Audio-Technica AT875R to the mighty Austrian Audio OC818, and we’re diving deep into the results. From self-noise to low-end roll-off, polar patterns to punchy midrange, we bre