Étienne de Crécy

Étienne de Crécy is one of the architects of the French Touch movement—those lush, filter-heavy grooves that shaped house music in the ‘90s, right alongside acts like Daft Punk, Air, and Alex Gopher. But his journey didn’t start in the clubs. Before electronic music, he was a punk bassist, navigating Parisian record shops that looked down on house music before the scene exploded worldwide. In this conversation, Étienne reflects on three decades of pushing electronic music forward, from his groundbreaking Super Discount series to his latest album, Warm Up. This new record marks a shift—more organic, more vocal-driven, and carrying a double meaning: a reference to its sound, but also a nod to the global moment we’re in. “We are just at the warm-up… for the climate, for politics.” We talk about his creative process, his mathematical approach to composition, and why he avoids the easy route of plugins in favor of crate-digging for samples. Plus, the story of how he unearthed a long-lost collaboration with Damon Albarn, recorded twenty years ago and now perfectly fitting Warm Up’s aesthetic. As electronic music culture shifts—where younger generations lean into harder, faster sounds—Étienne remains committed to a philosophy: “What I’m learning is to stay simple and to be amazed by simple things.” If you’re enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound. Étienne de Crécy on Instagram Warm Up Listen/Buy Follow me on Instagram at Paulhanford Lost and Sound is sponsored by Audio-Technica My BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen. My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more.  Lost and Sound title music by Thomas Giddins