
Why do we think of neutrality as a dirty word‽ Josh and Kyle highlight what makes neutral typefaces integral to the lifeblood of modern type design, both creatively and economically. Now, it may sound like such a conversation might be pretty middle-of-the-road (ya know, neutral), but a lot of ground is covered here. Does the specter of Helvetica loom over all neutral sans designs? When should we look to remove cultural inspirations from our designs? How do serifs fit into the world of neutrality? Should you do a rollout from a moving airplane? Why is Josh still on this podcast? All good questions... Links to everything that we discussed in this episode: Baumer Grotesk from Erkin Karamemet Booton from Displaay Type Foundry Airport from Revolver Type Degular, Retail, and Camelion from Ohno Type Co Sharp Earth from Sharp Type Big Issue from Blast Foundry The Recast Collection from Dalton Maag Gamay from Darden Studio Melun from Lift Type Paramount from Production Type Cortese Sans from Mark Van Leewen Icona Serif from Suitcase Type GT Pantheon from Grilli Type GT Flaire from Grilli Type CoFo Holz from Contrast Foundry Neutraljuice, Neutraljuice, Neutraljuice! Support the Interrogang for as little as $3 a month and help us expand what Proof&Co. and the Interrogang have to offer! These episodes are all thanks to your support! Support the show
From "The Interrogang Podcast"
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