Representative Ro Khanna of California is in the Democrats’ Congressional Progressive Caucus. And although his district is in the heart of Silicon Valley—and he once worked as a lawyer for tech companies—Khanna is focussed on how Democrats can regain the trust of working-class voters. He knows tech moguls, he talks wit

Elvis Costello’s thirty-first studio album, “Hey Clockface,” will be released this month. Recorded largely before the pandemic, it features an unusual combination of winds, cello, piano, and drums. David Remnick talks with Costello about the influence of his father’s career in jazz and about what it’s like to look back

David Remnick has reported on Israel and the Palestinian territories for many years. But his most recent trip to Israel was like nothing he’d seen before. In an article for the New Yorker, Remnick writes about visiting with survivors of the Hamas massacre, Israel’s assaults on Gaza, and what comes next. Below are excer

David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, reports on his recent trip to Israel and offers analysis of the Israel-Hamas war. Monday Morning International Politics: Israel and Gaza

David Remnick, editor of The New Yorker and the host of "The New Yorker Radio Hour" talks about this year's New Yorker Festival, and current politics. David Remnick on National Politics and the New Yorker Festival

David Remnick got his Pulitzer for his reporting on Russia. These days he edits The New Yorker, in which capacity he has had close encounters with some of music’s legends during their final acts, some of which is gathered in “Holding The Note”, a collection of his writings on music. From his ill-lit Manhattan eyrie he