Why I‘ll Never Make It

Updated: 22 Apr 2024 • 322 episodes
whyillnevermakeit.com

The actor’s journey is one of occasional highs and frequent lows. It is a path riddled with self-doubt and frustration as we question our career choices, wondering if we’ll ever really ”make it.” But it is those few moments of glory on stage or screen that can sustain us through all the setbacks and challenges. On this award-winning podcast, New York actor Patrick Oliver Jones invites fellow creatives to share stories of failure and persistence in their lives and careers. It’s a behind-the-scenes look at the creative life rarely seen in the glitz and glam of this industry that reminds us we’re not alone in this often bumpy and winding journey of the performing arts.

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Jack Viertel has the kind of knowledge I wish I had about Broadway history, having studied the various journeys of great shows for his book The Secret Life of the American Musical, but he’s also worked with playwrights like August Wilson and Tony Kushner. He’s even conceived the long running Smokey Joe's Café and the c

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Theater can serve as a powerful platform for difficult discussions, especially offering a space for nuanced exploration of racial dynamics. It allows audiences to empathize with characters from diverse backgrounds, challenging preconceptions and fostering dialogue. It provides a visceral experience that can elicit stro

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Sara Gettelfinger's Broadway debut came in 2000 with the musical Seussical. And she worked steadily on Broadway through the years until she and I met and worked together on The Addams Family national tour in 2011. But then she had to take a break from acting, a break from New York City as well. And except for an Off-Br

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As we talked about in Part One, Crazy Ex-Girlfriend is what put Gabrielle Ruiz on the map. However, it was her theater training and performance abilities that made it possible for her to be cast in the show. In this rewind episode from 2021, we talk more about her time on the stage and what drives her most as an artist

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In the previous episode, you heard actress and singer Ann Harada share her stories of grinding it out as an Asian actress trying to fit in with what she thought casting directors wanted but then discovered her superpower as an artist, being herself. Now she’s back to share more lessons she’s learned and answer the Fina

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Ann Harada will be the first to tell you that finding happiness and satisfaction in the acting business didn’t come quickly or easily for her. In fact, her first Broadway credit came as a production assistant, not as an actor. She followed that up with ensemble roles in M. Butterfly and Suessical. But between those two

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