
We Have a Technical
We Have a Technical brings I Die: You Die's discussions of industrial, EBM, goth, dark electro, and related music genres to the podcast format. Join Alex, Bruce, and guests as they explore music's darker alternatives.
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This week's two albums format has us discussing two records separated by a number of years but both abutting upon dark electro even as both artists work to define their own separate aesthetic: Moral Cleansing, the first full-length from TBM producer SARIN, and Contempt, the debut of Tom Shear's Assemblage 23. We're als
As is our custom when there's a new record from industrial legends Laibach, we're taking to the podcast to discuss it rather than simply knocking out a review. A deeply collaborative record between Slovenian and Iranian musicians, Alamut is a record steeped in history and which draws together diverse strands of Laibach
In a wide-ranging open topic conversation, we discuss our thoughts about the purpose, value, and reception of negative music reviews in Our Thing. What's the line between constructive criticism and a hatchet job? Why write them or, conversely, avoid writing them? All that and plenty of questions in between await on the
For this month's Patreon-supported bonus podcast, we're talking about the second LP from Wes Eisold's post-punk/synthpop act Cold Cave. A record that has taken on more emotional resonance as it (and we!) have aged, so there's gonna be a lot of talk about feelings, not to mention Cold Cave's unique place in the transiti
We have a classic two albums episode for you this week folks, including the last decidedly industrial-related work from German act The Galan Pixs, plus the experimentation of latter-era Portion Control with their SEEDEP3. We're also looking ahead at some records set to be released in the back half of 2025.
We're catching up with a whole slew of news and live show business off the top of this episode as your regularly scheduled ID:UD programming resumes, and we're returning to the ever-popular Pick Five format. From powernoise to goth rock we're each picking some especially long tracks and talking about how that length ha