
We Have a Technical
We Have a Technical brings I Die: You Die's discussions of industrial, EBM, goth, dark electro, and related music genres to the podcast format. Join Alex, Bruce, and guests as they explore music's darker alternatives.
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The two album format draws up records of vastly different style and intensity as the final LP from German electro act The Dust Of Basement and a definitive live statement from Dive are on the docket. We're also discussing a recent live set from Vancouver's percussive industrial group Norillag.
The debut album from Rosetta Stone and one of the landmark achievements in the second wave of goth rock is the subject of this month's commentary episode. The ways in which An Eye For The Main Chance bends Rosetta Stone's influences to suit their own stormy and driving read on anthemic goth rock, the style and quality
Your latest hotly anticipated, or at least blithely accepted pick five formatted episode of We Have A Technical is here. We're zeroing in on our recurring fascination with the role of soundtracks in forming our tastes in Our Thing by each selecting tracks which stand out for good or bad in various film soundtracks. Are
After a lengthy hiatus, Austin cautionary tales Street Sects are back. They're turning their combination of noise, post-hardcore, and sample-driven industrial to investigate some extremely painful territory related to addiction and recovery with their new Dry Drunk record, but also have something quite different on the
The second of our interviews stemming from Terminus is here, with rising synthpop/EBM act Sleek Teeth joining us. The band's use of harmonies, threading of the needle between pop and aggression, and flair for the uncanny and occluded have made them one of the new bands we're most impressed by these days, and they were
Fresh off her performance at Terminus Festival, we're happy to present our interview with Mari Kattman on this week's episode of We Have A Technical. Her new record Year Of The Katt is a statement of arrival of Kattman as a solo artist and producer after having heard her in collaborative capacities for years, and she t