The Rough Cut

Updated: 08 Sep 2025 • 299 episodes
theroughcutpod.com

The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.

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08 Sep 2025 • EN

Weapons

Editor - Joe Murphy Weapons editor Joe Murphy probably had no idea when he interviewed with Zach Cregger over a Zoom call that, in a relatively short amount of time, they would collaborate on not one, but two hit horror films.  Regardless, Joe says that call wasn't just about getting to know each other, but also about

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01 Sep 2025 • EN

Film Geek

Director, Richard Shepard and Editor, Adam Lichtenstein FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein.  This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world.  Deftly incoroporating cli

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25 Aug 2025 • EN

Eenie Meanie

Editors - Chris Patterson and Dirk Westervelt ACE EENIE MEANIE editors Chris Patterson and Dirk Westervelt reunite after a six-year break from their first co-editing effort, ZOMBIELAND: DOUBLE TAP.  From its indie vibe to its seventies-inspired aesthetic, EENIE MEANIE doesn’t shy away from its influences. Chris shares

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11 Aug 2025 • EN

The Naked Gun

Editor - Brian Scott Olds The Naked Gun editor Brian Scott Olds knows that comedy thrives on the elements of surprise and timing.  He applied this philosophy to every aspect of the film—from physical gags to witty word play and silly sound design.  But making a film that respects the legacy of its predecessor while upd

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Editors - Nona Khodai ACE and Tim Roche The Fantastic Four: First Steps sees editors Nona Khodai and Tim Roche reunite for the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series.  The film also marks the first time the two have worked together since Marvel's live ac

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28 Jul 2025 • EN

Andor

Editor - Yan Miles ACE, BFE Andor editor Yan Miles partly attributes the decision not to extensively use the Stagecraft "volume" technology as the reason why his series has a distinctly different look and feel to other shows under the Star Wars banner. Instead, Andor leans into real-world environments, capturing the gr

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