The Rough Cut

Editor -Juliette Welfling EMILIA PÉREZ editor Juliette Welfling took on the job of editing her first musical without knowing the rigor and precision that would be required for the job.  For better or worse, neither did writer/director Jacques Audiard, himself new to the world of making a musical.  It turns out, experie

Editor - Robert Nassau A REAL PAIN editor Robert Nassau might be Brooklyn's secret cinematic weapon when it comes to finding an editor who knows how to cut not-too-dark dramedies.   And the seems to be what writer/director/actor Jesse Eisenberg was looking for when it came time to turn over the cutting room keys to his

Editor - Otto Burnham Editor Otto Burnham took on the job for SUPER/MAN: THE CHRISTOPHER REEVE STORY knowing that he wouldn't be lacking for source material on his subject.  Rather, the challenge would lie in processing the countless hours of material from Reeve's work and his life to find the real superhero within. Di

Editor, Jeff Groth ACE JOKER: FOLIE À DEUX editor, Jeff Groth ACE had a tough act of his own to follow, coming off of his ACE Eddie and Oscar nominated work on Todd Phillips' JOKER (2019), but follow it he did. Directed by Todd Phillips from a screenplay he co-wrote with Scott Silver, the sequel follows failed comedian

Editor - Marco Costa CHALLENGERS editor Marco Costa knew one thing going into Luca Guadagnino's recent tennis movie, and that's that Luca didn't know anything about tennis.  Luca would explain to Marco that this film isn't about tennis.  The incredibly kinetic action in the tennis sequences that Marco cut say otherwise

Editors Nathan Orloff and Shane Reid SATURDAY NIGHT editors Nathan Orloff and Shane Reid team up for the second time in 2024 with their latest Jason Reitman / Gil Keenan project about NBC's long-running sketch comedy show.  Having previously cut GHOSTBUSTERS: FROZEN EMPIRE together, the pair developed a strong working