
The Long Thread Podcast
The artists and artisans of the fiber world come to you in The Long Thread Podcast. Each episode features interviews with your favorite spinners, weavers, needleworkers, and fiber artists from across the globe. Get the inspiration, practical advice, and personal stories of experts as we follow the long thread.
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With Madelyn van der Hoogt’s extensive knowledge of loom-controlled structures and techniques, you might be surprised to learn that the celebrated weaving teacher spent her first years as a handweaver working on a backstrap loom. On a sabbatical in Latin America from her teaching career in Oakland, Madelyn traveled fro
When you first learned to knit, you might have wondered why certain stitches made fabric that curled, or why right-leaning and left-leaning decreases didn’t quite match, or why charts didn’t really show what the knitted fabric would look like. Knitting patterns might have seemed completely unworkable. If we stick with
At a time when many fiber arts stores are closing, Sara C. Bixler is bucking the trend. With degrees in both fine art and education, she had developed a studio practice as well as a teaching repertoire at the Pennsylvania weaving school where her father, Tom Knisely, had taught for decades. When that store closed, she
You know about North Pole and the South Pole, where polar bears and penguins live. Have you heard of a third pole? West and south of the Tibetan Plateau, a mountainous area holds more glaciers than any place in the world outside the Arctic and Antarctic poles. This region has a special significance for fiber artists: i
When Tom Knisely decided to buy his first item in an antique shop, he had two strokes of luck: the spinning wheel that he chose included all the parts needed to make yarn, and he lived not far from the landmark weaving store The Mannings. There, he learned to spin and eventually to weave. Enamored with the crafts, he g
A lifelong lover of fiber arts, Susan Strawn’s career in textiles began in an unexpected corner: with training as a biomedical illustrator. She found cloth far more exciting than biology, so she turned her eye for detail to illustrating PieceWork magazine. She added photostyling to her duties, bringing textile stories