The Curator's Salon - The Art Podcast
Conversations with artists, curators and authors about making it in the art world. We get behind the studio doors for entertaining and informative discussions about the journey through the visual arts, how projects were realised, ideas that informed new work and practical ways that artists can expand their audience and visibility.
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In this episode I talk about using AI generated images as reference material for your artwork. I go on to talk about how artists are often dismissive of AI generated art and creators of Ai art calling themselves artists. I go on to talk about how other industries outside of visual arts refer to themselves as artists. A
Michael Petry is the director at MOCA London. He is also the author of a number of books and in this episode he talks about his latest book, Mirror Mirror, The Reflective Surface in Art. Starting with Van Eyck's Arnolfini Betrothal, the book tracks the story of mirrors and the reflective surface in art through to conte
In this episode I talk about protecting your energy for your inevitable art world success. It is important to protect your energy and watch out for 'coolers' that can throw you off track with their negative outlook on life. As you find momentum and growth in your art career or business you’ll soon understand there’s a
Siddhant Khattri of Vedica Art Studio and Gallery joins me on this podcast to talk about his work through the art world. The gallery is based in Mumbai and in this episode he shares his upcoming projects to take place in Paris, networking and building a circle of support and more. Siddhant has arranged an open studio d
80% of art collectors buy from artists they know or feel they know. In this episode we talk about how you can give your audience the feeling of being closer to the artist and enrich their experience of the artist. Which in turn makes moves them closer to becoming an art buyer or a patron of your work. In this episodeUs
In this episode I explain how I respond when an artist says they want gallery representation. We look at their sales history, exhibiting experience and more. Often artists come looking for gallery representation before they are ready. I think it is great to know what to expect and the road to representation. However,