
New Books in Critical Theory
Interviews with Scholars of Critical Theory about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not

Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)
hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines t
In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a

Philip Cunliffe, "The National Interest: Politics After Globalization" (Polity Press, 2025)
Globalization is over. With US president Donald Trump pursuing an 'America First' agenda in trade and foreign policy, everyone now recognises the urgency of defending their own country's national interest. But what is the national interest and why did it disappear from the political agenda? Will Trump restore American
Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstr
Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and ot