The Dead Robots' Society
Writers talking about writing. Writers talking about publishing. Writers talking about life. Authors Terry Mixon, Paul E Cooley, and Veronica Giguerre interview, babble, and usually cover a number of disassociated topics.
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Stuck for an idea? Want to pay homage to a class work? Is it in the public domain? If the answer is yes, it's your playground. The DRS Crew discusses. Our links: Paul's store: https://payhip.com/paulecooley Paul's site: https://shadowpublications.com Terry's site: https://www.terrymixon.com/ Veronica: http://www.voice
What tropes do you have to have in a romance? How about suspense versus thriller? The DRS Crew once again takes a question from chat and runs off the rails. Our links: Paul's store: https://payhip.com/paulecooley Paul's site: https://shadowpublications.com Terry's site: https://www.terrymixon.com/ Veronica: http://www
The DRS Crew trolled the topics channel and hit paydirt. We'll discuss how to tell when you're writing in the wrong genre, expectations of genres, and reader expectations. Should we have time, we'll also touch on getting new readers and integrating backstories. Our links: Paul's store: https://payhip.com/paulecooley Pa
The DRS Crew ruminates on procrastination, corraling future works so they don't impinge on the present. Our links: Paul's store: https://payhip.com/paulecooley Paul's site: https://shadowpublications.com Terry's site: https://www.terrymixon.com/ Veronica: http://www.voicesbyveronica.com/ DRS Discord: https://discord
V and Paul run through the standard operating procedure for posting your audiobooks and the various outlets. Our links: Paul's store: https://payhip.com/paulecooley Paul's site: https://shadowpublications.com Terry's site: https://www.terrymixon.com/ Veronica: http://www.voicesbyveronica.com/ DRS Discord: https://disc
No matter the genre, no matter the plot, characters move, talk, and occasionally resort to fisticuffs when words don't work, or the writer gets bored. How do you incorporate action into your scenes? What about reader fatigue? How do you break up those action sequences to keep the reader from becoming numb? And how do y