
A Journey Through Stock Aitken Waterman
Hosts Gavin Scott (from Chart Beats: A Journey Through Pop) and Matthew Denby work their way through all the singles produced by Mike Stock, Matt Aitken and Pete Waterman (SAW), starting in 1984 with "The Upstroke" by Agents Aren't Aeroplanes and taking in hits by Dead Or Alive, Hazell Dean, Bananarama, Princess, Mel & Kim, Rick Astley, Kylie Minogue, Sinitta, Jason Donovan, Divine, Sonia and more, as well as lesser known chart misses. Bonus interviews and discussion: chartbeats.com.au/saw (Theme music: Switch Me On by Shane Ivers at www.silvermansound.com)
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To mark reaching the end of the journey through every single produced by Mike Stock, Matt Aitken and Pete Waterman from 1984-1993, Gavin and Matt celebrate the music of the Hit Factory by counting down our listeners" favourite 20 singles from the list of 200 we have discussed on the podcast. What will be number 1? (Su
Shortly after Mike Stock left PWL in 1993, he purchased a building to house a brand-new studio complex and record label, Love This, and reunited with Matt Aitken to resume their songwriting and production work together. Although, over the next few years, the duo would release many more cover versions than original song
Although both Matt Aitken and Mike Stock had left the building, PWL Records continued to release music — and in this epilogue episode, we look at some of the artists who succeeded and some that didn"t hit the mark in the few years after the demise of Stock Aitken Waterman. Former PWL MD David Howells joins us to discus
Every journey has an ending, and in this episode, we reach the final three singles produced by Mike Stock and Pete Waterman in 1993 — and discuss the events surrounding the termination of the partnership as Mike left PWL. Former Miss America Suzette Charles joins us to talk about her singing/acting/pageant career and h
The top 40 resurgence was over, with the next few Stock and Waterman singles released in 1993 struggling on the UK chart. But it wasn"t for want of trying. Tapping into the same piano house sound that had yielded hits for Sybil (with and without West End), "Looks Like I"m In Love Again" by Key West featuring Erik had c
The commercial resurgence at PWL continued in 1993, with all four of the singles covered in this episode becoming UK hits. Still on her hot streak following the success of "The Love I Lost" with West End, Sybil returned to the top 5 with original tune "When I"m Good And Ready", which was credited to her alone. Sybil te