
Words on a Wire
Words on a Wire is a radio show about fiction, poetry, the writing community, and whatever other issues concern literary writers and readers of books. Hosted by Daniel Chacón and Tim Z. Hernandez. Originally broadcasted on www.ktep.org Write to us: soychacon@gmail.com
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In this episode of Words on a Wire, host Daniel Chacón sits down with veteran journalist Robert Moore, founder and CEO of El Paso Matters, a nonprofit newsroom dedicated to high-impact local reporting. Together, they trace Moore’s career from writing obituaries at a small-town paper to leading one of the most respected
In this special episode of Words on a Wire, host Daniel Chacón sits down with four graduating creative writing students from his Senior Seminar at the University of Texas at El Paso: Diego Cerda, Cristina Flores, Sophia Ortega-Carlos, and Jesus Morales. What unfolds is a spirited, funny, and deeply personal roundtable
In this episode of Words on a Wire, host William Alfred Rose speaks with journalist and author Kyle Paoletta about his new book, American Oasis: Finding the Future in the Cities of the Southwest. Paoletta takes listeners on a journey through the urban heart of the American Southwest—El Paso, Albuquerque, Phoenix, Tucso
In this special episode of Words on a Wire, host Tim Z. Hernandez brings listeners into a moving panel discussion recorded live at the Tucson Festival of Books. Joined by acclaimed authors Rex Ogle (Abuela, Don’t Forget Me) and Melani “Mele” Martinez (The Molino: A Memoir), the conversation dives deep into the role of
In this episode of Words on a Wire, host Daniel Chacón sits down with acclaimed poet, translator, and world traveler Liliana Valenzuela for a rich and reflective conversation recorded just after her return from a silent meditation retreat. Liliana discusses her journey as a “reverse Chicana”—a Mexican-born writer shape
In this episode of Words on a Wire, host Daniel Chacón talks with debut author Eugenie Montague about her novel Swallow the Ghost, a genre-bending narrative that plays with the conventions of crime fiction, digital life, and storytelling itself. Montague shares how the novel began as a writing experiment that grew into