The Pod and the Pendulum
The Pod and The Pendulum is a new horror movie podcast covering every movie in every franchise. From heavy hitters like Friday the 13th, to the direct-to-video titles like Subspecies, we’ve got you covered. We feature guests on every show in order to discuss their love of movies like The Blair Witch Project, Scream, Alien, A Nightmare on Elm Street, Jaws, Halloween, The Conjuring, and many more. Support the show and become a patron today at www.patreon.com/podandthependulum and get access to exclusive bonus content. Tweet us at @podandpendulum Email us at podandthependulum@gmail.com Become a patron and receive bonus shows for as little as $2 a month at https://www.patreon.com/podandthependulum
Show episodes
Mike and Devaughn are joined by returning guest Kat Hughes to talk about the way better than it has any right to be reimagining of Wrong Turn. Mike would also recommend you check out Mathew Modine's other masterpiece, Vision Quest, the only movie about high school wrestling you need to see.
Mike and Ari are happy to report that Wrong Turn 6 is one of the most unabashedly horniest movies we've ever covered on the show. Eschewing the traditional hot couples hooking up, this one has more of flair for kink, sadomasochism, and voyeurism. At least, it certainly does compared to most slasher movies, let alone th
A movie so bad it made Mike question whether he actually liked horror movies. Luckily he's joined by Ariel, Devaughn, and special guest Kinell to talk this one through.
This week we go back to the beginning with Wrong Turn 4:Bloody Beginnings, Returning guest and queen of the B-movie and culinary horrorSarah Stubbs ((Final Girls Feast) is on Mike’s side championing the merits ofthis blizzard-set, asylum located slasher. Meanwhile Devaughn has recruited firsttime guest Sean Abley (crea
This week Mike and Ariel reach the nadir of the Wrong Turn franchise, with the third entry, Left For Dead. It's the film that dares to as who one would root for in this situation: a murderous Cartel warlord, a white supremacist, or the cops? Filled with poorly rendered CGI, dodgy acting from a cast that looks like gene
Mike and Devaughn are on hand to talk a straight to video follow-up that just might improve on the original. Director Joe Lynch shot right out of the gate with a nasty, gory, funny splatter film that has the feel of an over-the-top 80s sequel while still being grounded in its own moment in time. Henry Rollins leads a r