The Parting Shot with H. Alan Scott
Newsweek’s H. Alan Scott delivers your weekly dose of pop culture with the Parting Shot. Every week you’ll get celebrity interviews, award show coverage, and the rundown on exactly what to watch, read, and listen to in culture. Consider the Parting Shot your one stop shop for everything pop culture.
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For Melissa Peterman, the first season of NBC’s Happy’s Place was a dream come true; getting a second season is an embarrassment of riches. “Getting a pilot is the lottery. Getting that pilot picked up is another gigantic win that is getting rarer and rarer.” Peterman plays Gabby, friend and co-worker of Bobbie, played
Considering the number of iconic women that have worked on Ryan Murphy projects, it’s shocking Glenn Close hasn’t. That’s changing with Hulu’s All’s Fair. “I was intimidated until I started to understand the tone. And once I understood the tone, then it became really fun,” Close told Newsweek’s H. Alan Scott. Close pla
This week, I have a serious and emotional conversation with actor Michael Chernus about his challenging new role as John Wayne Gacy in Peacock's Devil in Disguise. He shares how he mentally prepared to play the serial killer and why this limited series is different by focusing on the victims of these horrific crimes.
Padma Lakshmi’s new cookbook, Padma’s All American, is a natural extension of her Hulu series Taste the Nation. In fact, the documentary laid the groundwork for the book, says the former Top Chef host. “Once we had done the show, I had all these communities I had already embedded myself in,” she told Newsweek’s H. Alan
“I need to get obsessed by projects so I can be involved in. I want to be entirely disappearing in a project.” And that’s exactly what Marion Cotillard has done in joining season four of The Morning Show (Apple TV+). Cotillard plays Celine Dumont, the new board president of the fictional news network who hails from a F
The most terrifying thing about nuclear weapons isn’t the warheads, but how quiet we as a society have become about them. The Cold War-era fear of total annihilation has morphed into a dangerous cultural amnesia that Oscar-winning director Kathryn Bigelow finds deafening. With her newest film, A House of Dynamite, she