
Talking Scared
Conversations with the biggest names in horror fiction. A podcast for horror readers who want to know where their favourite stories came from . . . and what frightens the people who wrote them.
Show episodes

238 – The Frozen Frontier: Ally Wilkes and Michelle Paver, Live at the Oxford Literary Festival
Talking Scared goes live! In April I was invited to chair a conversation between Michelle Paver and Ally Wilkes at the Oxford Literary Festival. I duly leapt on a train and bundled my way there – to ask the two survival horror queens about their stories of haunting and isolation in the coldest parts of the world. W
Send in the clowns! In this Off Book episode I talk to Eli Craig, director of cult-classic Tucker and Dale vs Evil, and the man who put Clown in a Cornfield up on the big screen. After crowbarring my way into his press day, I asked him what drew him to the project, what else there is to ‘do’ with scary clowns and s
Let’s get grim and dark with Lord Grimdark! Perhaps the greatest benefit of having a book podcast like mine is the opportunity to speak to my very favourite authors. I’ve been reading Joe Abercrombie’s violent, world-weary dark fantasy for TWENTY years! And now he’s on the show. Consider me excited. His new book
Brian Keene has written so many damn books! …and I had never read any of them. This absolute horror faux-pas (and my embarrassment) is the reason that it’s taken so long to get Brian on the show. But I set a week aside and read as many Keene books as I could and here we are… on a leisurely stroll through Brian’s life
I’ve been looking forward to releasing this one… Nat Cassidy comes to Talk Scared about When the Wolf Comes Home, his new novel that I –and people like me – are already calling out as one of the Best Books of the Year™. It’s a shaggy, undisciplined, sprinting beast of a book that obeys no rules. You may think it’s
Back to the 80s this week for one of the most singular horror movies of the year – now streaming on Shudder. Dead Mail is an ode to the era, but there are no neon fonts or leg warmers (or Olivia Newton Johns) here. Instead we’re in the drear of the decade, for a story about a synth-obsessed man who keeps his business p