Scriptnotes Podcast
Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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In this craft compendium, John and Craig take a look at everything you need to make your bad guys compelling, memorable, and the perfect antagonist for your story. Using some favorite villains as examples, they look at the importance of understanding their motivations and offer seven tips for making a villain unforgett
John and Craig welcome author Stu Horvath to look at the rich history of tabletop role playing games. From Stu’s collection of over 2300 RPGs, they look at the evolution of collaborative storytelling, interactive narrative design, and the communities of players they inspire. We also discuss the complicated influences o
How do you write science fiction when technology is moving so quickly? John and Craig welcome back journalist and screenwriter Max Read to look at the trickiness of predicting the future, how our imagined futures can affect our reality, and ways that writers can protect their work from becoming dated before it’s even r
New forms of video creation are coming to disrupt the entertainment industry, but will they succeed? John and Craig look at verticals and Veo 3 to see where we might be heading, and what our industry’s past innovations might tell us about about the future. We also look at Memorial Day’s banner box office, and answer li
688 - Writing Jokes with Mike Birbiglia
John and Craig welcome back writer, director, and comedian Mike Birbiglia (Don’t Think Twice, Sleepwalk with Me) to take a look at several true news stories and ask, how would this be a joke? Stories include run-club haters, a conflicted bone marrow donor, and the coyotes roaming San Francisco. We also look at how Mike
John and Craig dig through the mailbag to answer some of our trickiest listener questions. They lay out their best advice for first-time feature directors — from picking department heads to making sure your movie actually gets seen — and look at how to adapt Craig’s “How to Write a Movie” for structuring a TV series. B
