Scriptnotes Podcast
Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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John and Craig investigate those details that are accurate and authentic, but can pull viewers out of the story. They look for ways to balance what is realistic with what is believable, and how to get rid of distractions and keep your audience focused on what matters. We also discuss popular names, follow up on Iceland
John and Craig take a look at the many For Your Consideration scripts suddenly available to read to see what lessons can be learned from movies that were actually made. They find best practices for establishing setting, using “we see” and “we hear,” complicated setups, directing on the page, and how to get right into y
In this compendium episode, John and Craig look at how we can best articulate our characters’ inner lives and get the audience invested in them. They discuss the intricacies of point of view, finding truthful emotional states, and why it’s so important for your characters to be liars. How do you engage an audience’s em
John and Craig are joined by the ghosts of Scriptnotes past and present (Megana and Drew) for a festive competition: discussing the perils of studio bake-offs — pitting writer against writer for one coveted job — while simultaneously judging three of LA’s finest holiday cookies. We also look at Netflix’s recently relea
John welcomes writer and director Christopher Nolan (The Dark Knight, Inception) to discuss experimentation, subjectivity and adaptation as they take an in-depth look at his screenplay, Oppenheimer. They explore Chris’ writing process, how to make non-linear structures work, finding the story in real-life events, being
John and Craig look at several notable figures in the news and ask, How Would This Be a Biopic? They examine the lives of Henry Kissinger, Sandra Day O’Connor, George Santos, Rosalynn Carter, and Sam Altman to see which are best suited for the big screen, and declare once-and-for-all the proper way to pronounce “biopic