
Scriptnotes Podcast
Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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688 - Writing Jokes with Mike Birbiglia
John and Craig welcome back writer, director, and comedian Mike Birbiglia (Don’t Think Twice, Sleepwalk with Me) to take a look at several true news stories and ask, how would this be a joke? Stories include run-club haters, a conflicted bone marrow donor, and the coyotes roaming San Francisco. We also look at how Mike
John and Craig dig through the mailbag to answer some of our trickiest listener questions. They lay out their best advice for first-time feature directors — from picking department heads to making sure your movie actually gets seen — and look at how to adapt Craig’s “How to Write a Movie” for structuring a TV series. B
John and Craig look at how writers and their characters handle the obstacles they encounter. They outline proven techniques for solving problems both in life and on the page, why it’s important to see characters solving problems in a story, and how taking big swings can open up exciting possibilities. We also follow up
John welcomes writer, director and playwright Leslye Headland (The Acolyte, Russian Doll) to ask, why are stage plays so challenging for screenwriters? Using her recent Broadway play Cult of Love, they look at different approaches to scene description, heightened and simultaneous dialogue, and strategies for adapting s
John welcomes writer and showrunner Eric Kripke (The Boys, Supernatural) to look at planning out a multi-season series. They chart Eric’s early career from shorts to showrunner, how he developed Supernatural, his process for structuring seasons of The Boys, and how great TV shows stick the landing. We also answer liste
John and Craig welcome back Aline Brosh McKenna to tackle the issue of idea management. What do you do with all those half-formed ideas and how do you decide which ones to pursue? They share best practices and their approach to middle-of-the-night inspiration. We also discuss how screenwriters’ quotes are determined an