Scriptnotes Podcast

John and Craig look at three tales of lies, betrayal and deceit and ask, How Would This be a Movie? Stories include a flamboyant show-business grifter, a sibling rivalry between two LA billboard queens, and American students tricked into attending a fake Oxford college. We also follow up on audio dramas, last looks, an

John welcomes writer and actress Nora Garrett to look at how her first screenplay, After the Hunt, took her from being un-repped to working with director Luca Guadagnino. They discuss her path from acting to writing, how her script went from being rejected by screenplay competitions to landing on Julia Roberts’ desk, a

John and Craig invite Aline Brosh McKenna back to celebrate the third anniversary of Scriptnotes. It’s a jam-packed, glass-and-a-half of wine, listener-favorite episode. They look at ways to breathe new life into scenes and characters that aren’t working, box office journalism and how Hollywood is always dying, scene g

John and Craig wonder, how has TV changed in the last ten years? They compare what’s better and worse, the tradeoffs between quality and quantity, how curation is changing, the pros and cons of shorter seasons, and what this all means for writers and viewers. We also look forward to our time at the Austin Film Festival

John and Craig discuss short films: what makes a great short, when should you make one, and what should you realistically expect out of it? We also update our predictions on whether the career of “screenwriter” can survive potential global catastrophes. We then answer listener questions on staff writer wages and using

John welcomes back Liz Hannah (The Post, The Girl from Plainville) to discuss how to construct and communicate setting in a script. They talk about the balance between establishing a sense of space while avoiding the beginner’s mistake of over-blocking. We also follow up on accountability groups, last looks, and French