
Scriptnotes Podcast
Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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John and Craig examine how to best use your connections to help yourself and others. They look at ways to identify the strength of a connection, leverage them without being manipulative, the nitty-gritty of approaching others for a favor, and the important ways to be generous in return. We also look at the good news in
To celebrate our 700th episode, John and Craig open the phone lines for a live late-night call-in show (recorded at 10 a.m. on a Wednesday). Through the power of Zoom (and YouTube), listeners ask questions about rewrites in post, avoiding traps as a production designer, changing characters in a rewrite, and advice on l
Every writer has to pitch themselves, but how do you do it without sounding like a tool? John welcomes back Pamela Ribon (Nimona, My Year of Dicks) for a big talk about small talk and general meetings. They offer practical tips on what to expect, how to get people to open up, navigating NDAs, staying true to yourself,
John and Craig descend into development hell to look at films that almost but never quite existed. Using both widely-publicized and little-known examples, they examine common patterns that keep movies frozen in script form. We also follow up on solar storms, writer education and genres people should see at least one of
The Scriptnotes Book is real, and now available for preorder! John and Craig take a look through its 335 pages to explore the topics, guests and deep-dives we’ve assembled from over 1,000 hours of this podcast, creating what is sure to be your favorite bathroom book. Then it’s another round of How Would This Be a Movie
In this compendium episode, John and Craig set their focus on directors — and how to work with them as a screenwriter. They look at the inner-workings of the writer-director relationship, etiquette on set, how to communicate notes from pre-production through post, and outline the qualities of the “perfect” director. We