Q & A, Hosted by Jay Nordlinger

Kristina Hammer is the president of the Salzburg Festival—which in Salzburg, and Austria, and Europe, and the music world, is a very big deal. She grew up in Germany—the Black Forest—and studied in Mainz and Vienna. As a business executive, she worked in the department-store field for a while. And in cars: Aston Martin

Julian Prégardien is a tenor from Germany—despite his French-looking name. On his father’s side, he is Belgian, Italian, and Dutch. “A true European,” he says, a real mixture. One of his ancestors is Sweelinck, an important composer in pre-Bach days. I talked with Prégardien at the Salzburg Festival, while conducting i

Aryeh Nussbaum Cohen is an American countertenor—a singer from Brooklyn, N.Y. How do you pronounce that first name? As he explained to me, think of three letters: R-E-A. “Ar-ee-é” (with the stress on the first syllable.) And his last name is not “Cohen” but “Nussbaum Cohen.” Delightful guy. Excellent conversationalist.

Rainer Honeck occupies an interesting, and important, perch: he is a concertmaster of the Vienna Philharmonic. I have sat down with him at the Salzburg Festival, in a series of conversations hosted by the Salzburg Festival Society. It was a privilege to talk with Mr. Honeck. He rarely gives interviews. He lets his viol

Fleur Barron is a very interesting singer, and an exceptionally versatile one. This summer, she is making her debut at the Salzburg Festival, where I sat down and talked with her. She is singing Mahler—a composer she has been singing a lot lately. Where is she from? Well, her bio tells us this: “Born in Northern Irelan

Gilberto Morbach is one of the most impressive young intellectuals I know. He is a scholar of legal philosophy and related fields. He is interested in, and devoted to, the rule of law, above all. He is a Brazilian, and I have consulted him in the past about the politics—the turbulent and complicated politics—of his cou