Platemark: prints and the printmaking ecosystem
Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway? Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Join us and find out why prints and printmaking occupy the best little corner of the art world. We'll turn you into a fan, too. Platemark offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars. Host Ann Shafer is a curator specializing in prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She's a podcaster, blogger, and organizer of the Baltimore Fine Art Print Fair (baltimoreprintfair.com).
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In this episode of Platemark, I talk with Judith Solodkin, a renowned master printer and founder of SOLO Impression. Judith shares her extensive experience, from being the first woman to graduate from the Tamarind Master Printer program to her unique work in digital embroidery. She reflects on her collaborations with n
In this History of Western Prints (HoP) episode, Tru and I begin to explore the life and work of William Hogarth, the first British artist featured on Platemark’s HoP series. Hogarth, renowned as the father of Western sequential art, is discussed through detailed analyses of three of his best known series: A Harlot's P
In s3e67 of Platemark, I talk with Amy Namowitz Worthen, a distinguished engraver and curator, about her lifelong journey in printmaking. Influenced early by her artist mother, she pursued art education at Smith College and the University of Iowa, honing her artistic skills under Leonard Baskin and Mauricio Lasansky. A
In s3e66 of Platemark, host Ann Shafer talks with Jennifer Roberts, an art historian and professor at Harvard, about her latest book, Contact: Art and the Pull of Print, which explores the intersection of intellectual and technical richness in print. Jennifer's book offers a fresh perspective on printmaking, synthesizi
We're replaying a past bonus episode in which History of Prints SME Tru and Platemark host Ann talk about their art origins. They come from pretty different backgrounds, but they are in complete alignment about art, art history, prints, and print history. So, listen in as they talk about how they got to where they are.
In this episode, go behind the scenes at the museum with Alison Luxner, a paper conservator at the Museum of Fine Arts in Boston. Alison shares her journey to becoming a conservator, the lengthy education and training process, and her diverse experiences working in various conservation roles. They also delve into the s