New Books in Art
Interviews with Scholars of Art about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, F
How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love th
In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to mak
R. Murray Schafer recently passed away on August 14th 2021. If you’re someone who works with sound or enjoys sound art or experimental music–or you’ve just thrown around the word “soundscape”–you’ve probably engaged with his intellectual legacy. Schafer was one of Canada’s most influential avant-garde composers. He was
Fragmentary Forms: A New History of Collage (Princeton UP, 2024) is a beautifully illustrated global history of collage from the origins of paper to today While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the
Today, in honor of World Listening Day, we rebroadcast our story on renowned Australian sound composer, media artist and curator Lawrence English. This episode of gets deep into English’s own listening practices as an artist, specifically a technique he calls Relational Listening. In fact, as you’ll hear, he describes