Dig Me Out: 90s Rock
Step back in time to the heart of the 1990s, the last great decade of rock music. We’re your weekly time machine to the era of grunge, alternative, indie rock, emo, Brit-pop, shoegaze, power pop, and post-punk. Our journey includes in-depth album reviews, insider interviews with key figures, and comprehensive cultural discussions. ’Dig Me Out: 90s Rock’ offers a deep dive into the music that defined a generation, providing a diverse range of sounds and stories that continue to influence artists today. What sets our podcast apart is our community of passionate listeners. You choose the artists, albums, and topics we explore, making ’Dig Me Out: 90s Rock’ a truly collaborative experience. Join us as we celebrate the unparalleled creativity and cultural significance of 90s music. If you’re a Nirvana, Built to Spill, Elastica, or Radiohead fan or fascinated with how the 90s impacted the sound of your favorite 80s artists, ’Dig Me Out: 90s Rock’ is your go-to podcast. Subscribe now and become part of a community that adores the last great decade of rock music. Let’s relive the 90s together!
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An Eye For A Brow, A Tooth For A Pick, the 2006 debut album by Australian band Ground Components, blends elements of garage, punk, and soul that fits in nicely with the garage rock revival of the early '00s. Featuring a mix of aggressive punk-ish guitar riffs, driving and boogie rhythms, and horn arrangements give the
While their debut album tagged them as Dinosaur Jr Jr thanks to loud guitars and J. Mascis behind the board, Buffalo Tom's second album, Birdbrain, builds on the raw, guitar-driven sound of their debut but with more mature songwriting and production. Produced again by J Mascis of Dinosaur Jr. with Sean Slade, the album
Uisce (pronounced "ish-ka," the Irish word for "water") is the sole full-length album by Australian band Non-Intentional Lifeform (N.I.L.), released in 1997 by Roadrunner Records. Formed in Perth in 1995, N.I.L. was known for their eclectic fusion of hard rock, thrash metal, post-punk, rap, and funk. Energetic and unpr
A fusion of punk, garage, and noise rock, the 1996 album Blastronaut by The Lee Harvey Oswald Band is a bombastic, high energy record drawing upon 70s David Bowie, classic rock, and the Stooges. Confrontational and darkly humorous, the band leans into a satirical, sometimes absurdist tone, reflecting a punk ethos while
The 1990 self-titled album by Social Distortion marked a significant turning point for the band, showcasing a more refined and mature sound compared to their hardcore roots. Frontman Mike Ness emerged from a turbulent period in the 1980s, including a stint in rehab that deeply influenced the album’s themes of struggle,
Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk