Transmissions
Weekly interviews with musicians, artists, authors, and filmmakers presented by Aquarium Drunkard.
Show episodes
This week on the show, a double-header. First, Rosali Middleman, and then, her bandmate, collaborator, and the leader of Mowed Sound, David Nance. Together, they both play on Rosali’s fantastic 2024 album, Bite Down. Reviewing it for Aquarium Drunkard, Brent Sirota writes, “A great summer album needs hooks and choruses
Welcome back to Aquarium Drunkard Transmissions. This week on the show, one of our favorite return guests: Mitch Horowitz. As scholar and historian of the occult, he's established himself as one of the most literate voices in the New Age field. On previous episodes, Horowitz has discussed his books, like Uncertain Plac
Welcome back to Aquarium Drunkard Transmissions, this week on the show, we're joined by three guests—though, not all at once. In the first half of the show: Mark “Frosty” McNeill of dublab and the LA Phil to discuss a new compilation he helped produce, Even the Forest Hums: Ukrainian Sonic Archives 1971-1996; in the
Welcome back to Transmissions—far out conversations for far out times. This week, we're joined by synthesist Jill Fraser. She's lived a remarkable life in music: mentored by Morton Subotnick, she went on work in film and television, with projects like 1974's sci-fi fantasy Zardoz and Paul Schrader's 1979 film Hardcore
This week on the show, we're pleased to present a conversation with Matt Sweeney. He’s lived a truly dazzling life in music. After coming up playing with the great band Chavez, he contributed to masterworks of indie rock—including records by Cat Power and Bonnie “Prince” Billy, with whom he crafted the monumental 2005
If you’ve been listening to Transmissions for a while, you've noticed how often host Jason P. Woodbury brings up “time” when talking about music. And while he's certainly apt to talk about music in spiritual or "out there" terms, songs are in some ways literal time machines: they can take you back to your own past or i